Guns don’t kill people, people kill people. Is that so? But guns sure make people trigger-happy, like power readily fills people with the urge to abuse it. The runaway pistol, which has a life of its own, travels from the underbelly of Mongkok to seedy Shenzhen across the border. It finds its way into the hands of a motley crowd of characters, and claims the lives of a sex worker, a small-time hood, troubled teenagers, and innocent and not-so-innocent bystanders, in manners absurd and inglorious. In his debut as director, Lam Wah Chuen, long-time collaborator of Fruit Chan as cinematographer and composer, fashions a one-of-a-kind road movie that is a complex kaleidoscope of images, and with an intensity bordering on the subversive and the unreal. A cruel fairy tale about a city on the verge of moral meltdown.

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